Pumice for Sheepskin and Calfskin

Posted on January 5, 2021 by Holly

I have been absent for some time from the Blog-o-sphere. My parents hit their 90’s and the wheels started falling off, so for a season, I have been attending to their needs. My father, Clifford Mansley, Sr. was a wonderful engrosser and studied at the Zanerian College of Penmanship. I have a boatload of his work in my Oregon studio. He is now in assisted living. As I go through his supplies, I occasionally find treasures.

This past Saturday, I was sharing some of my gold leaf experience with engrossing expert David Grimes, most particularly, the Cennini gesso method for raised gilding. In the process of cleaning out my gold leaf drawers, I came across an envelope containing pumice and some directions for it’s use. What interests me is that it came from the Knoedler Engrossing Studio in Philadelphia, a studio that my father used to freelance for, when we lived in Germantown in the late 1950’s.

In the picture, you will see directions for the use of pumice (note: he also called it French Chalk) on sheepskin. Engrosser’s used to use sheepskin for diploma’s. It was a big business back then, hence the expression/question, ‘Where did you get your sheepskin?’ i.e., what college/university did you attend? I recall my father sitting at his drawing board hand lettering names on certificates and creating resolutions for very accomplished people, as he worked for Knoedler.

Pumice on a skin, pictured below. It’s very fine. Grittier than baby powder, much finer than sand.

Although I have some sheepskin in my flat files, purchased from Steve Ziller, Sr (of Kansas City) before he passed away, I currently use calfskin. I find that calfskin is less greasy than sheepskin. It is more of an off-white color while sheepskin at it’s finest, is whiter. Both, in my estimation, need the help of pumice to draw the grease to the surface, especially if the skin sits for awhile. Process: sand skin with fine sand paper, rub in pumice and brush it off. Once this simple process is completed, you will achieve more precise pen strokes and finer hairlines.

Calfskin is pictured below with a little aside. Did you know that the Declaration of Independence, the Bill of Rights and the Constitution were all ‘engrossed’ on calfskin? Go to www.Patrigraphica.com to see my rendition of the Founding Documents, i.e. The Charters of Freedom. I’m guessing that they may have used pumice on them, too!

Numerous projects to share with you as I catch up on my blogging! I’ll be back soon!

A Hand Lettered Mission Statement

Posted on August 27, 2018 by Holly

Above is the final scan of the Mission Statement for a private school, in Cincinnati, Ohio. Mars Hill Christian Academy approached me in 2017 to create a document in which they could share the school’s mission. They chose to leave that title off because the words ‘exists to’ states that in a round about way. Below, I will share with you the steps that I took to create it…

As you might guess, I put pencil to paper and began sketching the words that my client, Lisa Cotterman and I felt were most important. As a calligrapher, I like to have what I call a ‘big read’. Something that a person could read from across the room. In this case, these larger words sum up the mission of the school. I used an HB pencil on heavy tracing paper.

It is typical for my initial sketches to need adjustments. When I looked at the letters on the final paper size they were tight and narrow. I felt that the large letters needed to be rounder and the lines of lettering wider. I scanned the original sketches into Photoshop and stretched the lines, then reprinting the lines, I cut them apart and retraced them onto the full size rough sketch. See below.

So as you can see, I created a pencil layout just the way I wanted the final lettering to be.

The Mars Hill Academy colors are blue, gold and white with touches of red. I decided to create a blue paste paper background on which to letter. The gold I brought in on a band across the top. Paste paper is a really fun way to introduce color into designs. I especially love the texture that it brings so that the final is not to sterile or stiff looking. In the pictures, you will see little jars of dye that I buy from Twinrocker paper. With paper mâché paste, I use a natural sponge to place this color on the Arches Text Wove paper. The first layer is usually light with subsequent layers darkening the color.

I took this picture at night, so it’s a little dark, but you can see the blue and gold have several layers to give them a rich look.

My studio sink displays the natural sponges, soap for clean up and the rubber gloves that I buy from Costco. My hands would be a real mess without them, as this dye wants to hang around under your nails, etc.

Mars Hill has a Bell Tower that is well known at the school. Lisa and I toyed with this as an icon instead of their crest logo. In the end, we stayed with the crest logo below.

Once I had the paste paper ready, I took my sketches and positioned them where I wanted them on the paper. With white Saral Paper I transferred my letters onto the paste paper.

You can see the tracing lines that the Saral Paper leaves. This gives me a great guide for the lettering. I was also feeling as though the piece needed a little more life. I planned to attach the gold band with the schools name, but it was boring alone. I pulled out some of my Twinrocker handmade paper and took a look at what it would look like as a small deckled border.

My next step was lettering the capitals. Dr. Martin’s Bleedproof White paint really helps your letters to ‘pop’ on paste paper as well and other dark fine art papers. I highly recommend it.

In the image above, you can see that I’ve now lettered the italic stylized script, the school name and painted the school logo. The logo took me quite a bit of time as I hand drew all of the little letters and had to paint around them in blue.

It was still lacking some depth and interest…..so…..Lisa suggested that I add the red. I cringed at first as I thought it would clash, but in the end, I think it brings a new dimension to the artwork. As I near the end of a design, I ask myself…what else does this need? I wanted even more on the piece, so I took pastel and shaded around the first letters of the key words in the Mission Statement. It helped to tie in the gold banner across the top as well as accentuating the meaning.

Here you can see the completed parts….the blue paste paper with white lettering and pastel. The gold band with school name and logo and the Twinrocker paper…..these are all photos taken with my digital camera. If you have another minute, scroll back up to the top and take another look at the final scan of my artwork. It will show you the lovely texture in the paper and all of the pieces flattened out. I shipped the art to my framer in Cincinnati (I’m currently living in Oregon). He dry mounted the calligraphy pieces and handmade paper together and saved the school a little money by framing it in their town.

CUSTOM WEDDING DOCUMENTS

Posted on March 1, 2018 by Holly

Weddings, weddings, weddings! This is the time of year when preparations are being made. I receive phone calls for numerous types of wedding documents. I will picture them below with brief explanations. Perhaps you’ll get a few ideas….

This first picture is a framed GUEST SIGNATURES gift. The brides father, my client, requested flowers indicative of Colorado in all 4 corners, their names and space for a certain number of signatures. He also specified the colors.

At first, he wanted people to randomly sign. He came back to me later and said that he wanted the doc to have a more organized feel and would like penciled lines. I gave him a Mars Staetler eraser so he could remove the lines later. (I will do that for you, but he was in a creative career, so he could handle this!) For those who want the lines inked in, that is definitely possible. I either place them with a ruling pen and ink OR a Zig or Pigma Micron Pen. These are fade proof, water resistant and archival so I recommend that guests sign with them.

This next piece is a the WEDDING WISDOM that the pastor shared with the couple at their wedding…..flourished and simple. Italic lettering.

The picture below is a Quaker Marriage Contract.

It includes the bride and grooms name and other important information. This one more traditional in feel with the flourishing, Old English and Engrosser’s Script. (Older technology leaves me with a less vibrant copy….sorry about that!) I could email you a close up of the script, if you’re interested. Bound & Lettered, Volume 10, Number 4 has an article about creating these documents.

Wedding Vows

couple wanted the Three Sister’s Mountains with a border of Juniper and another of Sage which was reminiscent of their outdoor wedding. The borders divided their vows in three sections. A lovely burled frame finished the look for their home. They had sweet words, but didn’t want the world to see! I wanted you to see the layout and the borders. The elements were in the setting where the wedding was held.

And then there was this little piece. Silver and black on handmade paper.

A sweet little gift from groom to his bride….

So many options for calligraphy related to weddings. You are only limited by your imagination! Calligraphy expresses your favorite words to your ‘most cherished’ and creates an heirloom of your love for the next generation.

CHALKBOARD CALLIGRAPHY – Fan into Flame

Posted on February 17, 2018 by Holly

My studio work takes me in so many directions! Chalkboards have become very popular for signage at weddings and for stores. (See my chalkboard post for my daughters wedding.) This past week my church requested that I letter on a 9′ chalkboard to bring home a scripture verse that was the focus of the international IF: Gathering 2018, telecast at Riverwest Church….as well as many others across the country and world. I was given a script version that the conference had designed, but decided to take things a step further and design my own. Below is a picture of the finished work. Beyond that, I will describe how I created the artwork including the tools and materials that I used. This one took me about 7 hours to create.

Since I have been creating designs since about 1980, I’ve learned that I have to sketch out an idea first. It went from a very rough pencil sketch on copy paper to an actual size template on brown butcher paper. I then taped the brown copy to the chalkboard.

Some people chalk the backside of the paper to transfer, but because this was so large, I used white Saral paper, a transfer paper that I use for many projects. Although you can’t see it, it’s taped behind the brown paper. My happy discovery was that the white lines were as easily wiped away as the chalk lines. Below is a picture of some of the supplies that I used. Chalkista markers….with the pointed tip (they had a great rating online, but I found that with this large board, the rounded tip wore down on the white. The Jumbo Bistro white marker was helpful for the larger areas, the smaller markers for detail. Also pictured: scissors, pencil, artists tape, rulers, white Saral Transfer Paper in roll form. I also used NuPastels for some of the color. It smudges quite a bit, but gave me a soft effect on the berries and leaves. The Dover book of Banners, Ribbons & Scrolls is a handy resource that I had on hand. I was grateful for the article that colleague Kathrine Malmsten wrote for Bound & Lettered, Volume 15, No. 1 , Chalkboards Aren’t Just for Classrooms Anymore!, as it helped me zero in on the process and materials.

Below is a picture of the piece, in progress, once I transferred the outline to the chalkboard. (This was a handmade chalkboard made by Jenna Gilchrist’s husband, painted with chalkboard paint). If you look closely, you can see the white lines on the bottom half of the chalkboard.

And here is another little quickie tent sign that was lettered for the event.

The design was well enough received that I made it into an art print in three colors, plus a greeting card. You can order from my website…. Fan into Flame. Below are pictures of the new art print and greeting card color options. Since I lettered this one on my drawing board, there are some variations from the original.

A Book of Remembrance – Hand lettered

Posted on December 6, 2017 by Holly

As the holidays arrive, we embrace those we love and enjoy their company. Yet, there are those who we love, that are missing from our midst, as they have ‘graduated’ from this life. It can be painful and lonely without them so it helps to remember them in a warm and sensitive way.

As a calligrapher, I attempt to do just that. I have been called upon to create either framed Eulogy’s or Books of Remembrance that capture special traits and memories of a loved one’s life….a treasured tribute that can be passed down through the family. I will share with you one book in particular, that I created in 2017.

My college room mate’s husband, Hector Dalton, called me to memorialize Beth’s father, Dr. Robert Lincoln Mather. A gift that would go to Mrs. Mather. Hector gave me a lot of freedom in creating the book, but said that he would: 1. Like it to be in blue (family favorite colors) 2. Bring in the 1950’s as that was Dr. Mather’s special era. Since I knew Dr. Mather, I threw in a couple of interpretive ideas as well. He was an eye doctor with 4 fashionable daughters and a wife, so I wanted to include eyes and glasses to bring out his career and family in a lighthearted way. Some of the pages lent themselves to illustrations so you will find a goat, cat, dog, skunk, chickens, a car and a harmonica, as well. Below, I will share the cover and title page and then back up to show you a little of my behind the scenes work.

Credit goes to Jim at Ohio Book (Cincinnati) for creating the lovely binding, debossed gold name and decoration, sewing the pages together, plus attaching the hand marbled end papers that I purchased from Talas in New York. (It took me quite awhile to pick a paper that matched the goat skin. Since I was in Oregon when I created the book, I actually bought and shipped 4 sheets of 2 different colored patterns, so Jim could pick the closest match for the blue leather cover). The cover is Hudson Calf Leather in Electric Blue from Pergamena in New York. I so appreciate their quality calfskin and leathers for my projects. They are one of the few tanners left in the USA, so help me keep them in business!

Above is the title page for the book. It includes some simple vine work, the color blue, eye glasses from the 1950’s era and one set, signifying Dr. Mather. Note the stethoscope, since he was an Opthamologist. I especially love to work on Twinrocker Paper because of the handmade quality and deckled edges. Note that the top edge is straight. I had to cut one large sheet into two, losing a deckled edge. Therefore, I had to alternate the deckles with straight edges within the signatures.

Now, I’m going to back up a little and show you some of ‘roughs and research’ as the project unfolded. Pinterest and the internet were helpful resources. An old Speedball Textbook had some lettering styles for the simple Decorated Capitals.

I laughed my way through researching the unique eye glasses from the 50’s.

Below you will see some of the unique shapes often found on signs or advertisements in the 50’s. These made a nice little field for the Drop Caps to sit on.

After collecting ideas for the pages, I cut tracing paper to size and penciled in all of the words. I discovered that I had to add more pages than I thought. I initially thought I’d need 18 pages, but went to 24 in all. As mentioned, I left room for small illustrations as they came up in the stories that Hector shared at Dr. Mather’s funeral.

After transferring the pages to the Twinrocker paper, I began lettering in the simple Foundational style, so the text wouldn’t conflict with the artwork and caps.

Next, I painted all of the little decorative caps with their funky background shapes and little 23k gold stars. Remember how the 1950’s art sometimes had those twinkly little stars to show a gleam? The blue matched the cover of the book and the gray was a color in the marbled paper.

The little illustrations and 19 eye glasses with eyeballs came last….below are a few of the pages with illustrations.

This book took me about a month to create. Between designing, ordering supplies, laying it out on tracing paper, lettering 20 some pages, painting and illustrating, it took 5 times what I originally thought I would take. (BUT, it would be far too boring to just have text, when Dr. Mather was full of personality. So in came the illustrations for the stories).

Side note: If I were to add one thing to this project, I would like to see a leather slip cover/case made to slide the book into.

So I hope that this gives you a little insight into my process. Now you know a unique way to memorialize a loved one, in a way that reflects their personality – a special book that can be cherished and passed down through the generations. Commissions welcomed.