Tag Archives: Gold Powder

Gold Leaf Workshop

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Hello all of you Gold Leaf lovers!  I’m presenting a 1-day GOLD methods workshop on November 20, 2021. ONLINE. 10am-5pm EST. Sponsored by the Ocala Calligraphy Guild in Florida.  Their website is www.OcalaCalligraphy.org and you can head on over to their Workshops section to download the official flyer https://www.ocalacalligraphy.org/workshops as well as making payment there. There is a ‘page 2’ to the first page that I’m posting below – with more description and a supply list. We would love to have you join us. The workshop focuses on pre-made sizes such as Liquid Gesso, Instacoll, Illuminators Bole, Gum Ammoniac plus more, with Patent Gold. Some methods are optional, if you don’t want to buy all. Feel free to contact me www.HollyMonroe.com or the Ocala Guild for more information. If you are interested, you may want to jump on board quickly and get your supplies lined up. For this low price, you will get a boatload of information! This is designed for Beginner/Intermediate, but anyone can join in. Calligraphers, Lettering Artists, Artists, Crafters…

You will need to make Glair for this workshop, as well – I have easy instructions. Look for it as I will be posting a little video of how I make it. See my next Blog.

NOTE: The website for the Ocala Calligraphy Guild is wrong on this flyer, but correct in my text above.

All that Glitters is Gold (Part 1) Shell Gold & Gold Powder

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Last month, when I lettered on the church soffits, I laid genuine 23k gold on the walls. (Scroll down to the capital “O” in my last post). So I thought it a perfect segue into an explanation of some of the gold methods that I use.

One of the easiest methods I use to add gold to a project is the application of shell gold or gold powder. Mixed with distilled water and a touch of a binder, I typically paint it on fine art/hand made paper or calfskin with a miniature brush, burnish with an agate stone and voila! Instant impact!  This kind of gold is excellent for achieving tiny details. You can even tool tiny designs into a field of the gold with a very pointed burnisher.

Powdered gold lies behind the clover

 

There are many imitation golds, but the brilliance of the real thing drives me to be a purest. I use this method when a client wants gold, but doesn’t want the cost of the raised gesso with gold leaf, when I want to contrast the raised gold with the flat powder on the same design or when one of my prints needs a touch of elegance.

I will be teaching weekend retreats from my studio. Lodging available.  If you are interested, let me know!